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Hip hop or hip-hop is a cultural movement that formed during the late 1960s among African American youths residing in the South Bronx in New York City.<ref name="Dyson 2007, p. 6">Dyson, Michael Eric, 2007, Know What I Mean? : Reflections on Hip-Hop, Basic Civitas Books, p. 6.</ref><ref name=chang>{{#invoke:citation/CS1|citation |CitationClass=book }}</ref><ref>Allatson, Paul. Key Terms in Latino/a Cultural and Literary Studies. Malden, MA: John Wiley & Sons, 2007, 199.</ref><ref>Schloss, Joseph G. Foundation: B-boys, B-girls and Hip-Hop Culture in New York. New York: Oxford University Press, 2009, 125.</ref><ref>From Mambo to Hip Hop. Dir. Henry Chalfant. Thirteen / WNET, 2006, film</ref> It is characterized by four distinct elements, all of which represent the different manifestations of the culture: rap music (oral), turntablism or "DJing" (aural), b-boying (physical) and graffiti art (visual). Even while it continues to develop globally in myriad styles, these four foundational elements provide coherence to hip hop culture.<ref name="chang"/> The term is often used in a restrictive fashion as synonymous only with the oral practice of rap music.<ref name="Hip-Hop">{{#invoke:Citation/CS1|citation |CitationClass=journal }}</ref>

The origin of the hip hop culture stems from the block parties of the Ghetto Brothers, when they plugged the amps for their instruments and speakers into the lampposts on 163rd Street and Prospect Avenue and used music to break down racial barriers, and from DJ Kool Herc at 1520 Sedgwick Avenue, where Herc mixed samples of existing records with his own shouts to the crowd and dancers. Kool Herc is credited as the "father" of hip hop. DJ Afrika Bambaataa of the hip hop collective Zulu Nation outlined the pillars of hip hop culture, to which he coined the terms: MCing or "Emceein", DJing or "Deejayin", B-boying and graffiti writing or "Aerosol Writin".<ref>{{#invoke:citation/CS1|citation |CitationClass=book }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=news }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=book }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=news }}</ref><ref name="History">THE HISTORY OF HIP HOP Retrieved on August 27, 2011</ref>

Since its evolution throughout the South Bronx, hip hop culture has spread to both urban and suburban communities throughout the world.<ref>{{#invoke:citation/CS1|citation |CitationClass=news }}</ref> Hip hop music first emerged with Kool Herc and contemporary disc jockeys and imitators creating rhythmic beats by looping breaks (small portions of songs emphasizing a percussive pattern) on two turntables. This was later accompanied by "rap", a rhythmic style of chanting or poetry often presented in 16-bar measures or time frames, and beatboxing, a vocal technique mainly used to provide percussive elements of music and various technical effects of hip hop DJs. {{ safesubst:#invoke:Unsubst||date=__DATE__ |$B= {{#invoke:Category handler|main}}{{#invoke:Category handler|main}}[citation needed] }} An original form of dancing and particular styles of dress arose among fans of this new music. These elements were adapted and developed considerably over the history of the culture.

Hip hop is simultaneously a new and old phenomenon; the importance of sampling to the art form means that much of the culture has revolved around the idea of updating classic recordings, attitudes, and experiences for modern audiences—called "flipping" within the culture. It follows in the footsteps of earlier American musical genres such as blues, salsa, jazz, rag-time, and rock and rollin having become one of the most practiced genres of music in existence worldwide, and also takes additional inspiration regularly from soul music, funk, and rhythm and blues.


Hip hop sections
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{{#invoke:Hatnote|hatnote}} {{ safesubst:#invoke:Unsubst||$N=Use mdy dates |date=__DATE__ |$B= }}

CitationClass=web }}</ref>

Hip hop or hip-hop is a cultural movement that formed during the late 1960s among African American youths residing in the South Bronx in New York City.<ref name="Dyson 2007, p. 6">Dyson, Michael Eric, 2007, Know What I Mean? : Reflections on Hip-Hop, Basic Civitas Books, p. 6.</ref><ref name=chang>{{#invoke:citation/CS1|citation |CitationClass=book }}</ref><ref>Allatson, Paul. Key Terms in Latino/a Cultural and Literary Studies. Malden, MA: John Wiley & Sons, 2007, 199.</ref><ref>Schloss, Joseph G. Foundation: B-boys, B-girls and Hip-Hop Culture in New York. New York: Oxford University Press, 2009, 125.</ref><ref>From Mambo to Hip Hop. Dir. Henry Chalfant. Thirteen / WNET, 2006, film</ref> It is characterized by four distinct elements, all of which represent the different manifestations of the culture: rap music (oral), turntablism or "DJing" (aural), b-boying (physical) and graffiti art (visual). Even while it continues to develop globally in myriad styles, these four foundational elements provide coherence to hip hop culture.<ref name="chang"/> The term is often used in a restrictive fashion as synonymous only with the oral practice of rap music.<ref name="Hip-Hop">{{#invoke:Citation/CS1|citation |CitationClass=journal }}</ref>

The origin of the hip hop culture stems from the block parties of the Ghetto Brothers, when they plugged the amps for their instruments and speakers into the lampposts on 163rd Street and Prospect Avenue and used music to break down racial barriers, and from DJ Kool Herc at 1520 Sedgwick Avenue, where Herc mixed samples of existing records with his own shouts to the crowd and dancers. Kool Herc is credited as the "father" of hip hop. DJ Afrika Bambaataa of the hip hop collective Zulu Nation outlined the pillars of hip hop culture, to which he coined the terms: MCing or "Emceein", DJing or "Deejayin", B-boying and graffiti writing or "Aerosol Writin".<ref>{{#invoke:citation/CS1|citation |CitationClass=book }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=news }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=book }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=news }}</ref><ref name="History">THE HISTORY OF HIP HOP Retrieved on August 27, 2011</ref>

Since its evolution throughout the South Bronx, hip hop culture has spread to both urban and suburban communities throughout the world.<ref>{{#invoke:citation/CS1|citation |CitationClass=news }}</ref> Hip hop music first emerged with Kool Herc and contemporary disc jockeys and imitators creating rhythmic beats by looping breaks (small portions of songs emphasizing a percussive pattern) on two turntables. This was later accompanied by "rap", a rhythmic style of chanting or poetry often presented in 16-bar measures or time frames, and beatboxing, a vocal technique mainly used to provide percussive elements of music and various technical effects of hip hop DJs. {{ safesubst:#invoke:Unsubst||date=__DATE__ |$B= {{#invoke:Category handler|main}}{{#invoke:Category handler|main}}[citation needed] }} An original form of dancing and particular styles of dress arose among fans of this new music. These elements were adapted and developed considerably over the history of the culture.

Hip hop is simultaneously a new and old phenomenon; the importance of sampling to the art form means that much of the culture has revolved around the idea of updating classic recordings, attitudes, and experiences for modern audiences—called "flipping" within the culture. It follows in the footsteps of earlier American musical genres such as blues, salsa, jazz, rag-time, and rock and rollin having become one of the most practiced genres of music in existence worldwide, and also takes additional inspiration regularly from soul music, funk, and rhythm and blues.


Hip hop sections
Intro  Etymology   History  Culture   Mores   Social impact  Legacy  Authenticity  See also  References  External links  

PREVIOUS: IntroNEXT: Etymology
<<>>