References::Heavy metal music


Metal::heavy    Album::music    Bands::metal    Title::heavy    Allmusic::style    First::sound


  • Arnold, Denis (1983). "Consecutive Intervals", in The New Oxford Companion to Music, Volume 1: A-J. Oxford University Press. ISBN 0-19-311316-3.
  • Arnett, Jeffrey Jensen (1996). Metalheads: Heavy Metal Music and Adolescent Alienation. Westview Press. ISBN 0-8133-2813-6.
  • Berelian, Essi (2005). Rough Guide to Heavy Metal. Rough Guides. Foreword by Bruce Dickinson of Iron Maiden. ISBN 1-84353-415-0.
  • Berry, Mick and Jason Gianni (2003). The Drummer's Bible: How to Play Every Drum Style from Afro-Cuban to Zydeco. See Sharp Press. ISBN 1-884365-32-9.
  • Blake, Andrew (1997). The Land Without Music: Music, Culture and Society in Twentieth-century Britain. Manchester University Press. ISBN 0-7190-4299-2.
  • Buckley, Peter (2003). The Rough Guide to Rock. Rough Guides. ISBN 1-84353-105-4.
  • Braunstein, P. and Doyle, M. W., Imagine Nation: the American Counterculture of the 1960s and '70s (London: Routledge, 2002), ISBN 0-415-93040-5.
  • Bukszpan, D. (2003), The Encyclopedia of Heavy Metal. Barnes & Noble. ISBN 0-7607-4218-9.
  • Carson, Annette (2001). Jeff Beck: Crazy Fingers. Backbeat Books. ISBN 0-87930-632-7.
  • Charlton, Katherine (2003). Rock Music Styles: A History. McGraw Hill. ISBN 0-07-249555-3.
  • Christe, Ian (2003). Sound of the Beast: The Complete Headbanging History of Heavy Metal. HarperCollins. ISBN 0-380-81127-8.
  • Christgau, Robert (1981). "Master of Reality (1971) [review]", in Christgau's Record Guide. Ticknor & Fields. ISBN 0-89919-026-X.
  • Cook, Nicholas, and Nicola Dibben (2001). "Musicological Approaches to Emotion", in Music and Emotion. Oxford University Press. ISBN 0-19-263188-8.
  • Du Noyer, Paul (ed.) (2003). The Illustrated Encyclopedia of Music. Flame Tree. ISBN 1-904041-70-1
  • Ekeroth, Daniel (2011), Swedish Death Metal. Bazillion Points. ISBN 978-0-9796163-1-0
  • Ewing, Charles Patrick, and Joseph T. McCann (2006). Minds on Trial: Great Cases in Law and Psychology. Oxford University Press. ISBN 0-19-518176-X.
  • Fast, Susan (2001). In the Houses of the Holy: Led Zeppelin and the Power of Rock Music. Oxford University Press. ISBN 0-19-511756-5.
  • Fast, Susan (2005). "Led Zeppelin and the Construction of Masculinity", in Music Cultures in the United States, ed. Ellen Koskoff. Routledge. ISBN 0-415-96588-8.
  • Guibert, Gérôme, and Fabien Hein (ed.) (2007), "Les Scènes Metal. Sciences sociales et pratiques culturelles radicales", Volume! La revue des musiques populaires, n°5-2, Bordeaux: Éditions Mélanie Seteun. ISBN 978-2-913169-24-1.
  • Harrison, Thomas (2011). Music of the 1980s. ABC-CLIO. ISBN 978-0-313-36599-7
  • Hatch, David, and Stephen Millward (1989). From Blues to Rock: An Analytical History of Pop Music. Manchester University Press. ISBN 0-7190-2349-1.
  • Kahn-Harris, Keith and Fabien Hein (2007), "Metal studies: a bibliography", Volume! La revue des musiques populaires, n°5-2, Bordeaux: Éditions Mélanie Seteun. ISBN 978-2-913169-24-1.
  • Kennedy, Michael (1985). The Oxford Dictionary of Music. Oxford University Press. ISBN 0-19-311333-3.
  • Leguay, Stéphane (2006). "Metal Gothique", in Carnets Noirs, éditions E-dite, 3rd edition, ISBN 2-84608-176-X.
  • McCleary, John Bassett (2004). The Hippie Dictionary: A Cultural Encyclopedia of the 1960s and 1970s. Ten Speed Press. ISBN 1-58008-547-4.
  • McMichael, Joe (2004). The Who Concert File. Omnibus Press. ISBN 1-84449-009-2.
  • Moynihan, Michael, and Dirik Søderlind (1998). Lords of Chaos (2nd ed.). Feral House. ISBN 0-922915-94-6.
  • Nicholls, David (1998). The Cambridge History of American Music. Cambridge University Press. ISBN 0-521-45429-8
  • O'Neil, Robert M. (2001). The First Amendment and Civil Liability. Indiana University Press. ISBN 0-253-34033-0.
  • Pareles, Jon, and Patricia Romanowski (eds.) (1983). The Rolling Stone Encyclopedia of Rock & Roll. Rolling Stone Press/Summit Books. ISBN 0-671-44071-3.
  • Phillipov, Michelle (2012). Death Metal and Music Criticism: Analysis at the Limits Lexington Books. ISBN 978-0-7391-6459-4
  • Pillsbury, Glenn T. (2006). Damage Incorporated: Metallica and the Production of Musical Identity. Routledge.
  • Sadie, Stanley (1980). "Consecutive Fifth, Consecutive Octaves", in The New Grove Dictionary of Music and Musicians (1st ed.). MacMillan. ISBN 0-333-23111-2.
  • Schonbrun, Marc (2006). The Everything Guitar Chords Book. Adams Media. ISBN 1-59337-529-8.
  • Sharpe-Young, Garry (2007). Metal: The Definitive Guide. Jawbone Press. ISBN 978-1-906002-01-5.
  • Strong, Martin C. (2004). The Great Rock Discography. Canongate. ISBN 1-84195-615-5.
  • Thompson, Graham (2007). American Culture in the 1980s. Edinburgh University Press. ISBN 0-7486-1910-0.
  • Wagner, Jeff (2010). Mean Deviation: Four Decades of Progressive Heavy Metal. Bazillion Points. ISBN 978-0-9796163-3-4.
  • Walser, Robert (1993). Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Wesleyan University Press. ISBN 0-8195-6260-2.
  • Waksman, Steve (2009). This Ain't The Summer of Love: Conflict and Crossover in Heavy Metal and Punk. University of California Press. ISBN 0-520-25310-8.
  • Weinstein, Deena (1991). Heavy Metal: A Cultural Sociology. Lexington. ISBN 0-669-21837-5. Revised edition: (2000). Heavy Metal: The Music and its Culture. Da Capo. ISBN 0-306-80970-2.
  • Wilkerson, Mark Ian (2006). Amazing Journey: The Life of Pete Townshend. Bad News Press. ISBN 1-4116-7700-5.
  • van Zoonen, Liesbet (2005). Entertaining the Citizen: When Politics and Popular Culture Converge. Rowman & Littlefield. ISBN 0-7425-2906-1.
  • Wiederhorn, Jon. Louder Than Hell: The Definitive Oral History of Metal. It Books, 14 May 2013 ISBN 978-0-06-195828-1

Heavy metal music sections
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